Beverly is a senior weaver and Burarra speaker, one of the east-side language groups who specialise in the customary conical dilly bags, woven string bags and mats.
She is known for creating whimsical shapes and experimenting with soft tonal variations.
As has been done for generations, Beverley uses gun-menama (pandanus spiralis) to create her works. To prepare the pandanus the inner leaves of the plant are collected using a hook. Each V-shaped leaf is first split in half along its spine. After removing the sharp spines, the two surfaces of the leaf are then split away from other. After this preparation, the pandanus is boiled in a billycan with plant materials to dye the fibre. Like her contemporaries Beverley uses natural dyes to create extraordinary variation in hues and tones. Common colours in her work include:
– barra gu-jirra: the soft, white and fleshy end of the pandanus leaf imparts green to the fibre.
– mun-gumurduk/ gala (Pogonolobus reticulatus): a bright yellow root that is crushed and put in a billycan with the fibre and boiled. It creates yellow when boiled once and deep orange hues when boiled multiple times.
– ngalpur (Haemodorum brevicaule): a bright red root which yields a range of purply red to brown colours.
– Baluk: ashes of certain plants are added to the boiling billycan with the fibre and dye plants to alter the colour that is imparted to the fibre. The fruiting body of gulpiny (Banksia denanta) is burnt and the ashes added to other day plants to make the colour pink.
2019 Together we tell our stories : Indigenous Glass, Ceramics, Fibre + Canvas, Sabbia Gallery
2016 NAISDA 40th Anniversary Auction, Auction night at Carriageworks, Sydney
2010 2010 Antipodes, Maningrida Fibre Antipodes, Sorrento, VIC