Ivan Namirrkki
Biography
“We have been all around the world to exhibitions. I am the voice of this artists group and a strong man; a proud traditional owner who is happy to inform my peoples of our future in telling stories around the world. We are thinking about our history, always thinking as we are creating and learning, and my family put their stories on some bark and some rocks here in this country. For my kids and grandkids to learn and teach their kids and grandkids, I think this is really wonderful. This is really important to me and the people of this community, so that this story can keep me strong story, one that is passed on for future generations.” – Ivan Namirrkki.
Kuninjku artist Ivan Namirrkki was born in 1961. Namirrkki was taught to paint by his father Peter Marralwanga (1917–1987) – a renowned bark painter and political proponent of the maintenance of ‘country’.
Namirrkki was first taught to paint by his father in a figurative manner. The focus was stories like Kalawan and Namorrorddo for his Kardbam clan lands near Mankorlod although later Marralwanga also guided Namirrkki in the stories for other clans around Kumurrulu. He helped his father work on two exhibitions in Perth in 1981 and 1983 and travelled to Perth as part of the project. To distinguish his own figurative works Namirrkki often used black paint as the background to the figures although, like his father, he also became adept at varying the pattern of infill from rarrk to dotting to sections of full colour to create dynamic visual effects. In the late 1990s Namirrkki moved to paint geometric work in the Mardayin style. His style is very strongly symmetrical with evenly spaced bands of rarrk arrayed in concentric diamond forms. This diamond arrangement has become his signature and it features as the background of works that show the complex interconnections between waterholes in his country. He also contrasts this patterning with dotting and other variations of rarrk to indicate the power of the sites. Occasionally Namirrkki will return to paint figurative images or combine them in more geometric images.
Common themes in his work include the ngalyod (rainbow serpent), birmlu and djarlahdjarlah (barramundi), kalawan (goanna), komorlo (little egret), komrdawh (freshwater turtle), nadjinem (black wallarroo), nakidikidi (a harmful and nasty spirit), namorrorddo (a profane spirit), nayuhyungki bininj (ancient people), ngaldjalarrk (snake), ngalyod (rainbow serpent), ngurrurdu (emu), and yawkyawk (a female water spirit).
He is also known for painting leech djang located at Yibalaydjyigod and maggot djang located at Yirolk. Luke Taylor cites Namirrkki and his father’s work, transferring this djang (or dreaming), as a political act, invoking a tangible aboriginal ontology in relation to land, life and the spiritual.
“The point of painting such work for the market is to expose viewers directly to the power of the Ancestral realm…Namirrkki has spoken of his love for country particularly the soothing qualities of living adjacent to its important waters. There is also a confidence and peace derived from living in one’s heartland that flows to all activities conducted there. An understanding of the importance of country provides the context for more developed understanding of Kuninjku concepts of personhood, sociality, power, and health, as well as local constructions of other frameworks of human experience such as aesthetic experience.”1
Namirrkki began exhibiting his work in the early nineteen eighties and has been presented in numerous group and solo shows over the years, both in Australia and overseas. In 2006 he was a finalist in the National Gallery of Victoria’s Clemenger Contemporary Art Prize. Namarrkki’s art can be found in many collections including that of the Art Gallery of New South Wales, National Gallery of Victoria and the Art Gallery of South Australia.
1. Luke Taylor, Connections of Spirit: Kuninjku Attachments to Country, in Country, Native Title and Ecology, ed. Jessica K. Weir, pp. 21-46.
Artworks for sale
Past Exhibitions
Solo
- 2009
Ivan Namirrkki, Gallery Gabrielle Pizzi, Melbourne, VIC
- 2007
Ivan Namirrkki, Raft Artspace, Darwin, NT
- 2002
Kardbam namurungi – rarrk designs from the kardbam clan, Aboriginal and Pacific Arts, Sydney, NSW
- 1999
Ivan Namirrkki, Annandale Galleries, Sydney, NSW
Group
- 2020
Tarnanthi Art Fair, Lot Fourteen, Adelaide SA
- 2020
RESILIENCE: The power of the past today – Maningrida, Aboriginal Signature Estrangin Fine Art, Brussels, Belgium
- 2019
Rendezvous, ARTKELCH, Freiburg, Germany
- 2019
Darwin Aboriginal Art Fair, Darwin Convention Centre, Darwin
- 2019
art Karlsruhe 2019, ARTKELCH @ art Karlsruhe 2019, Karlsruhe, Germany
- 2018
Mardayin – Aboriginal Art von Maningrida Arts, ARTKELCH, Freiburg, Germany
- 2018
From Coast to Escarpment: Spirit Worlds of Maningrida, Michael Reid, Sydney, NSW
- 2018
Outstation, Outstation Gallery, Darwin, NT
- 2017
Landscape as Knowledge, Grace Cossington Smith Gallery, Sydney, NSW
- 2016
Bark + Ironwood, Charles Nodrum Gallery, Melbourne, VIC
- 2015
Summer Sojourn, Art Atrium, Sydney, NSW
- 2015
Exploration of Bark, Outstation Gallery, Darwin, NT
- 2014
Luminous World: Contemporary Art from the Wesfarmers Collection, Academy Gallery, University of Tasmania Gallery, TAS
- 2012
Maningrida Group Show, Gallery Gabrielle Pizzi, Melbourne, VIC
- 2011
The Dreaming Changes Shape, Gabrielle Pizzi, Melbourne, Australia
- 2011
Westfarmers Exhibition, Perth, Australia
- 2010
Best of Maningrida, Annandale Galleries, Sydney, Australia
- 2010
Collection Highlights, Seva Frangos Art, Subiaco, Australia
- 2009
26th National Aboriginal and Torres Strait Islander Awards Exhibition, Museum and Art Gallery Northern Territory, Darwin, NT
- 2009
Recent Works by Maningrida, William Mora Galleries, Melbourne, VIC
- 2009
Ancestral Spirit Beings and Ceremonial Lorrkon, Gallery Gabrielle Pizzi, Melbourne, VIC
- 2008
“Gungura – The Spiraling Wind”, Annandale Galleries, Sydney, NSW
- 2008
25th National Aboriginal and Torres Strait Islander Awards Exhibition, Museum and Art Gallery Northern Territory, Darwin, NT
- 2008
Togart Contemporary Art Award, Togart, Northern Territory
- 2008
Melbourne Art Fair, Art Fair, William Mora Galleries, Melbourne
- 2008
Maningrida Arts, Hogarth Galleries, Sydney, NSW
- 2007
Lorrkon, Spirit Beings, Gallery Gabrielle Pizzi, Melbourne, VIC
- 2007
Spirit in Variation Part II, Annandale Galleries, Sydney, NSW
- 2007
Spirit in Variation, Annandale Galleries, Sydney, NSW
- 2007
New Works, Chapman Gallery, Canberra, ACT
- 2007
rarrk, Bargehouse Gallery, London, UK
- 2007
Maningrida group show, Hogarth Galleries, Sydney, NSW
- 2006
Our Home, CDU Art Collection, CDU, Darwin, NT
- 2006
Clemenger Contemporary Art Prize, National Gallery of Victoria, Melbourne, VIC
- 2006
Dream Tracks, Aboriginal art of Arnhem Land, La Fontaine Centre of Contemporay Art, Manama, Kingdom of Bahrain
- 2006
Lorrkons and Spirit Figures, Annandale Galleries, Sydney, NSW
- 2005
Rarrk, flowing on from Crossing Country, Annandale Galleries, Sydney, NSW
- 2005
22nd National Aboriginal & Torres Strait Arts Awards, Museum and Art Gallery of the Northern Territory, Darwin, NT
- 2005
Bark paintings and carvings from Maningrida, Hogarth Galleries, Sydney, NSW
- 2005
Recent works from Maningrida, Short Street Gallery, Broome, WA
- 2004
Crossing Country: the alchemy of western Arnhem Land art, Art Gallery of New South Wales, Sydney, NSW
- 2004
Bark paintings, carvings and fibre works from Maningrida, Hogarth Galleries, Sydney, NSW
- 2004
Maningrida Burial Poles, Rebecca Hossack Gallery, London, UK
- 2004
Maningrida Recent Works, William Mora Galleries, Melbourne, VIC
- 2004
Hollow Logs from Maningrida, Gallery Gabrielle Pizzi, Melbourne, VIC
- 2003
20th Telstra national Abortiginal & Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin, NT
- 2003
Mythological beings from Maningrida, Hogarth Galleris, Sydney, NSW
- 2003
Out of the wet -new art by Kuninjku artists-, Framed gallery, Darwin, NT
- 2003
The Visit, Annandale galleries, Sydney, NSW
- 2003
RAKA award, Places that Name Us, The Ian Potter Museum of Art, Melbounr VIC
- 2002
Barks in the spotlight, Utrecht, The Netherlands
- 2002
Kuninjku show, Rebecca Hossack Gallery, London, Uk, Rebecca Hossack Gallery, London, UK
- 2002
19th Telstra National & Torres Strait Islander Art Award Exhibition, Museum & Art Gallery of the Northern Territory, Darwin
- 2002
East + West, Annandale Galleries, Sydney, NSW, Annandale Galleries, Sydney, NSW
- 2001
18th National Aboriginal and Torres Strait Islander Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin, NT
- 2001
Outside in: Research Engagements with Arnhem Land Art, Drill Hall Gallery, Australian National University, Canberra, ACT
- 2001
In the Heart of Arnhem Land. Myth and the making of contemporary Aboriginal art, Musée del l’Hôtel-Dieu, Mantes-la-Jolie, France
- 2001
Arnhem Land Carvings and Bark Paintings, Hogarth Galleries, Sydney, NSW
- 2000
Aboriginal bark paintings, sculptures & hollow logs, Annandale Galleries, Sydney, NSW
- 2000
Kuninjku Cosmology: recent works by Mick Kubarkku and his sons, Aboriginal & Pacific Arts, Sydney, NSW
- 2000
Biennale Of Sydney 2000, Biennale Of Sydney, various venues at various location, NSW
- 1989
Kunwinjku, Deutscher Gertrude Street, Melbourne, VIC
- 1988
Gunwinggu Artists, Beaufort Convention Centre, Darwin, NT
- 1983
Artists of Arnhem Land, Canberra School of Arts, Canberra, ACT
Collections
- Ballarat Fine Art Gallery, VIC
- Charles Darwin University Art Collection
- Dr. Colin and Liz Laverty private collection, Sydney, NSW
- Artbank, Sydney, NSW
- Art Gallery of South Australia, Adelaide, SA
- Djomi Museum, Maningrida, NT
- Hogarth Galleries, Sydney, NSW
- National Gallery of Victoria, Melbourne, VIC
- Museum and Art Gallery of the Northern Territory, Darwin, NT
- The Kaplan-Levi Collection, Private Collection, United States of America
- Art Gallery of New South Wales, Sydney, NSW