Lennie is a senior weaver and cultural elder, specialising in dilly bags and mats. As has been done for generations, Agnes uses gun-menama (pandanus spiralis) to create her works. To prepare the pandanus the inner leaves of the plant are collected using a hook. Each V-shaped leaf is first split in half along its spine. After removing the sharp spines, the two surfaces of the leaf are then split away from other. After this preparation, the pandanus is boiled in a billycan with plant materials to dye the fibre. Like her contemporaries Agnes uses natural dyes to create extraordinary variation in hues and tones.
Common colours in her work include:
– barra gu-jirra: the soft, white and fleshy end of the pandanus leaf imparts green to the fibre.
– mun-gumurduk/ gala (Pogonolobus reticulatus): a bright yellow root that is crushed and put in a billycan with the fibre and boiled. It creates yellow when boiled once and deep orange hues when boiled multiple times.
– ngalpur (Haemodorum brevicaule): a bright red root which yields a range of purply red to brown colours.
– Baluk: ashes of certain plants are added to the boiling billycan with the fibre and dye plants to alter the colour that is imparted to the fibre. The fruiting body of gulpiny (Banksia denanta) is burnt and the ashes added to other day plants to make the colour pink.
2006 Freestyle, Freestyle, new australian design for living, Melbourne Museum, VIC
2004 2004 Contexture, Contexture, Framed gallery, Darwin, NT
2004 2004 Fibre and sculptures, Indigenart, Fremantle, WA, Fibre and sculptures, Indigenart, Fremantle, WA
2002 2002 Maningrida Fibre, Redback Art Gallery, Maningrida Fibre, Redback Art Gallery, QLD